EK001293_0001–0041.pdf
Catalog No
EK001293_0032
Autor
Ester Krumbachová
Název
Aby nebyla poslední
Technika a materiál
Strojopis, papír
Rok vřazení do archivu
2019
Kredit

Archiv Ester Krumbachové

Popis

Nedokončený scénář k dokumentárnímu filmu o olympijských hrách.

Přepis

Page 31As time goes on, it becomes clear that ????? people must inexorably recognize that a woman, as the details go, is probably also a person.And, as such, even intends to express herself.Of course, let us not get ahead of the current revolutionary events; in fact, they are not as current as it may seem to some revolutionaries.For we women, throughout the whole millennium, already know all we need.For we women are acutely unsatisfied with just any old thing.For we have long disagreed with what we’re allowed and not allowed to do, and yet it goes on.For everything we were allowed was always only conditioned on youth and beauty.While even old and ugly men were just allowed to rule everything.And now finally the time has come for us old and ugly women, too, so that we could make this film. Not just about youth and beauty, but mostly about everything a woman ?????? had to do in order to scramble her way up to be among people who are otherwise called homo sapiens.For this reason, we wouldn’t like people to get mixed up in our conception, because it’s supposed to be a purely female film.We would like to make a documentary film about an athlete competing at the Olympics in all possible disciplines while, in parallel, recalling everything that a woman was allowed to do in the past.With each discipline we’d extend it to another field of women’s activity.One of the activities that was previously a purely feminine domain in the social sense of the word in Ancient Rome was the hetaira, educated in the fields of philosophy and art and thus influential through her beauty and amorous experiences.Previously, the only women who had had the opportunity to participate in public life were young and pretty women and girls who danced, sang, or played musical instruments for the delight of men, which did not exclude sexual play. and, through sexual play, excited men whose wives were excluded from these pastimes. These women, however, enjoyed male interest only as objects, whereas the highest station, nearly equal with men, was later occupied by hetairai, beautiful women who, at the same time, had command not just of the performing arts and the art xxxxxxx art of love, but also of the skill of witty conversation on the philosophical level of their era; These women in some cases became not just partners, but also decisive figures around whom the highest goings-on of society were centered. But these were just exceptions. In reality, a woman’s position was limited to birthing children and ????? work, she was allowed to [help her man / work for her man], or in the [better/best] situation advise him. And there was always the fact of pregnancy, which was, in men’s eyes, their basic.